| "Dendrochronology:
Tool of Truth of Deception." Michigan Violinmakers Association
Newsletter (July, 2010). Forthcoming
"Casino Paganini." Journal of the Violin Society of America.
Forthcoming.
"The Violin
Masterpieces of Guarneri del Gesù: A Reminiscence of the Exhibition
of 1994." Journal of the Violin Society of America.
Forthcoming.
"The
Restoration of a Fortepiano by Conrad Graf, ca. 1838, in the
Collection of the Metropolitan Museum of Art." In Actes des
Rencontres Internationales Harmoniques 2008. Forthcoming.
"The
Care and Handling of Musical Instruments." In The Care and Handling
of Art. New York and New Haven: Metropolitan Museum of Art and Yale University Press.
Forthcoming.
"Violin Cleaning and Retouching."
In
The Conservation and Restoration of Stringed Instruments and Bows.
Forthcoming.
"Some
Misconceptions about the Baroque Violin." Performance Practice
Review. Vol. 14 (2010): 1-13.
"Cristofori and Erard." Musique,
Images, Instruments 11: Le pianoforte en France. Paris,
2009: 75-81.
"The Pianoforte in the Performance of Scarlatti's Sonatas."
In Domenico Scarlatti in Spain: Proceedings
of VIII Festival Internacional de Musica de Tecla Espanola Diego
Fernandez 2006-2007. Garrucha, 2009: 301-311.
"Recipe for Success." [Chemical
analysis of Stradivari's varnish.] The Strad vol. 120, no.
1429 (May, 2009): 34-38.
"A Proposal for the Conservation of
the Rediscovered 1690 Cristofori Spinetta Ovale and a Few
Remarks." In Restauro e conservazione degli strumenti musicali
antichi: la spinetta ovale di Bartolomeo Cristofori. Florence,
2008: 133-136.
"The Instruments and Music Depicted
in Caravaggio's Apollo the Luteplayer." In Caravaggio. New York, London; 2007: 45-46.
"Animal Magic." [Source of the
inlaid decoration of Stradivari's "Greffuhle" violin.] The Strad vol. 118, no. 1410 (October, 2007): 34-40.
"Michele Todini's Golden
Harpsichord: Changing Perspectives." Music in Art: International
Journal for Music Iconography, vol. 32, nos. 1-2 (Spring-Fall,
2007): 142-151.
"Beethoven's Pianos." Piano Today
1 (Fall, 2006), 7-8; 2 (Winter, 2007), 20-21; 3 (Spring, 2007):
24-25.
Review of Stefano Pio, Violin
and Lute Makers of Venice 1640-1760 (Venice, 2004). Journal
of the Violin Society of America: VSA Papers, vol. 20, no. 2
(Summer, 2006): 219-222.
"The Schumann/Brahms Conrad Graf
Piano." The American Brahms Society Newsletter, vol. 24, no.
1 (Spring, 2006): 1-4.
"Salmon, Stefkins, Visconti, and
Stradivari: An Unlikely Collaboration." In Viola da Gamba und
Viola da Braccio: Symposium im Rahmen der 27. Tage Alter Musik in Herne
2002 (Munich, Salzburg; 2006): 57-68.
"A Viola da Gamba Temperament
Preserved by Antonio Stradivari." Eighteenth-Century Music
vol. 5, no. 1 (March, 2006): 125-132.
Review of Joel Speerstra, Bach
and the Pedal Harpsichord: an Organist's Guide (Rochester, 2004). Eighteenth Century Music vol. 2, no. 2 (September,
2005): 337-340.
"An Eye for Detail." [Biography of
bow maker Henryk Kaston.] The Strad vol. 116, no. 1383 (July,
2005): 30-36.
"Venetian Debate."
[Discussion of history of Venetian violin making.] The Strad
vol. 116, no. 1379 (March, 2005): 7.
"Conserve the Cannon."
[Discussion of restoration of Paganini's Guarneri violin.] The Strad
vol. 115, no. 1376 (December, 2004): 1271.
"Antonio Stradivari: Maker of Lutes
in the French Style." Musique, Images, Instruments:
Review française d' organologie et d' iconographie musicale
(Paris, 2004): 28-46.
"The Hill Bass Bar Collection."
The Strad vol. 115, no. 1369
(May, 2004): 498-503.
Review of
Italian & French Violin Makers
vol. 1, by Jost Thöne. The Strad
vol. 115, no. 1369 (May, 2004): 548.
“Softly, Softly.”
[Interview with
violin restorer and maker Horacio Pineiro.] The Strad vol.
114, no. 1353 (January, 2003): 44-49.
Review of
Italian Violin Making in Argentina,
by Pablo Alejandro Saravi. The
Strad vol. 114, no. 1361 (September, 2003): 1021.
Review of
The Violin of David Oistrakh:
Stradivari "Conte de Fontana" 1702, by Danilo Prefumo. The
Strad vol. 114, no. 1358 (June, 2003): 677.
"Antonio Stradivari and the Baroque
Guitar." In The Cambridge Companion to the Guitar, edited by
Victor Anand Coelho, 207-28. Cambridge: Cambridge University Press,
2003.
"The Gatti-Kraus Piano Action
Ascribed to Bartolomeo Cristofori." The Galpin Society Journal
vol. 55 (April, 2002): 269-78.
"The Claviorgan by Lorenz Hauslaib,
Nuremberg, 1598." In 600 Jahre Cembalobau in Osterreich,
edited by Alfons Huber, 247-67. Tutzing: Hans Schneider, 2001.
“Messiah Redux.” Journal of the
Violin Society of America vol. 17, no. 3 (2001): 159-79.
"The Messie: A Panel Discussion."
Journal of the Violin Society of America vol. 17, no. 3 (2001):
181-222.
“‘Messiah’ on Trial."
[Debate about the authenticity of "Messiah" violin.] The Strad
vol. 112, no. 1336 (August, 2001): 854-58.
Fifteen catalog entries in The
Still Lifes of Evaristo Baschenis: The Music of Silence, edited
by Andrea Bayer, 62-65. Milan: Olivares, 2000.
"5000 Instruments, One Conservator:
Conservation Practices and Policy at the Metropolitan Museum of
Art." In Instruments pour demain: conservation & restauration
des instruments de musique, 47-53. Champs-Sur-Marne: SFIIC,
2000.
"Christoph Gottlieb Schröter:
Inventor or Fraud." Early Keyboard Journal vol.18 (2000):
139-53.
"A Pantalonclavichord by C. Kintzing
of Neuwied, 1763." In De Clavicordio IV; Proceedings
of the International Clavichord Symposium, Magnano, 8-11 September,
1999, edited by Bernard Brauchli, Susan Brauchli, and Alberto
Galazzo, 203-13. Magnano: Musica Antica a Magnano, 2000.
"Le Messie." Journal of The
Violin Society of America vol.16, no. 1 (1999): 77-101.
"The Man Behind the Bows:
François-Xavier Tourte." The Strad, vol.110, no. 1308 (April,
1999): 402-9.
"Early Alterations Made to Ruckers,
Couchet, and Grouwels Harpsichords in the Collection of the
Metropolitan Museum of Art." In
Kielinstrumente aus der werkstatt Ruckers: Schriften des
Händel-Hauses in Halle 14, 137-70. Halle an der Saale:
Händel-Haus, 1998.
"Flemish Harpsichords and Virginals
in The Metropolitan Museum of Art." The Metropolitan Museum
Journal 32 (1997): 85-110.
"Curtains for Cremona."
[Profiles of the violin copyists Joseph Curtin and Gregg Alf.] The Strad
vol. 106, no. 1267 (November, 1995): 1160-67.
"Parley with Francais." [Interview
with Jacques Francais about the work of Guarneri del Gesu.]
The Strad vol. 105, no. 1254
(October, 1994): 973-79.
"The Violin Forms of Antonio
Stradivari." Journal of the Violin Society of America vol.13,
no. 3 (1994): 87-120.
"Interview with Daniel Phillips."
The Strad vol. 104, no.
1243 (November, 1993):1072.
"Chasing the Authentic Sound."
[Interview with violinist Stephanie Chase about the use of period
instruments and original text sources in the first recording of
Beethoven's Violin Concerto and Romances on Classical Instruments.]
The Strad vol. 104, no. 1243 (November, 1993): 1060-64.
“An Upright Pianoforte by Domenico
Del Mela.” The Galpin Society Journal vol. 45 (1992): 22-28.
"Three Keyboard Instruments Signed
by Cristofori's Assistant, Giovanni Ferrini." The Galpin Society
Journal vol. 44 (1991): 77-93.
"Michele Todini's Golden
Harpsichord: An Examination of the Machine of Galatea and
Polyphemus." Metropolitan Museum Journal vol. 25 (1990):
33-47.
"Curt Sachs and Musical Instrument
Restoration." The Musical Times vol. 130, no.1760 (October,
1989): 589-94.
Review of
Piano Information Guide, by
Robert Palmieri. The Musical Times
vol. 131, no. 1766 (April, 1990): 203-4.
Review of
The Piano [The New Grove Musical
Instrument Series], by Philip R. Belt.
The Musical Times vol. 131, no. 1764 (February, 1990): 93-4.
"Early Nineteenth-Century German
Language Works on Piano Maintenance." Early Keyboard Journal
vol. 8 (1990): 91-109.
Review of
The Violin Makers of the United
States, by Thomas James Wenberg.
The Strad vol. 99, no. 1183
(November, 1988): 930.
Review of
Count Ignazio Alessandro Cozio di
Salabue, translated and edited by David Woodrow and Andrew
Dipper. The Strad vol. 99,
no. 1179 (July, 1988): 573.
"Young Master." (Profile of the bow
maker and restorer Yung Chin.) The Strad vol. 99, no. 1175
(March, 1988): 207-11.
"The House that Jack Built."
[Profile of the violin dealer Jacques Français and a discussion of
his system of violin identification.] The Strad vol. 99, no.
1183 (November, 1988): 879-89.
"Historic Lute and Violin Varnish
Formulas: 1500-1800." Journal of the Violin Society of America
vol. 8, no. 2 (1987): 31-40.
"The Bonafinis Spinet."
In Atti del
XIV Congreso della Societa Internazionale di
Musicologia, Study Session: Cembali, e cembali che fanno il piano
e il forte, edited by Eva Badura-Skoda, Bologna:
International Musicological Society,1987: 286-287.
"The Bonafinis Spinet: An Early
Harpsichord Converted into a Tangent Piano." Journal of the
American Musical Instrument Society vol. 13 (1987): 5-22.
"Violins on View." [Preview of the
1987 Stradivari exhibition in Cremona.] The Strad vol. 98,
no. 1169 (September 1987): 685-87.
"Cremonese Reincarnation."
[Documentation of Samuel Zygmuntowicz copying the 1733 "Kreisler"
Guarneri del Gesù.] The Strad vol. 98, no.1171 (November,
1987): 835-45.
"Prodigious Celebration."
[Review of the 1987 Capolavori di Antonio Stradivari
exhibition in Cremona.] The Strad vol. 98, no. 1172
(December, 1987): 957-61.
Review of
The Herbert Axelrod Stradivari
Quartet by Jacques Francais.
The Strad vol. 98, no. 1155 (July, 1986): 201-2.
Review of
From Violin Making to Music: The
Life and Works of Simone Fernando Sacconi, edited by Franco
Feroldi. The Strad vol. 97,
no. 1154 (June, 1986): 131.
"Gottfried Silbermann's Pianos."
The Organ Yearbook vol. 17 (1986): 103-21.
"Travelling Apprenticeship."
[An
account of Rembert Wurltizer's early years and travels through
England and the Continent as revealed by letters to his family.]
The Strad vol. 97, no.1160 (December, 1986): 559-64.
“Fine Tuning.” [An interview with Jascha Heifetz’s lifelong luthier, Benjamin Koodlach.] The Strad
vol. 96, no. 1150 (February, 1986): 781-2.
“Morel Responsibility.”
[Interview with violin restorer René Morel.] The Strad vol. 97, no. 1154
(June, 1986): 102-4.
"First Class." [Profile
of the violin maker David Burgess.] The Strad vol. 97, no. 1159
(November, 1986): 487-90.
"Knotty Problems." [Profile of the
violin bow maker William Salchow.] The Strad vol. 46, no.1147
(November, 1985): 487-90.
"The Early Portuguese Piano."
Early Music vol. 13, no. 1 (February, 1985): 18-27.
"The Pianos of Bartolomeo Cristofori."
Journal of the American Musical Instrument Society vol. 10
(1984): 32-68.
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